When:
Saturday, January 26, 2019
10:00 AM - 10:00 PM CT
Where: Norris University Center, Dittmar Gallery, 1999 Campus Drive, Evanston, IL 60208 map it
Cost: Free
Contact:
Debra Blade
(847) 491-2348
Group: Dittmar Memorial Gallery
Category: Fine Arts
Description:
In Paula Henderson’s Social Regard, one branch of these works is concerned with gender specific social constructs shaped by the ubiquitous commercial and cultural representations of women internalized in the development of our sense of worth.
Dissimilarly, Paula’s regard is echoed in the second series in this exhibition, Groundwork(s), wherein her interest in abstraction is in its post-modern possibilities. In contrast to the self-contained formalism of modernist abstraction, she focuses on prosaic, schematic patterns of visual appeal, that operate simultaneously as social signifiers.
When:
Sunday, January 27, 2019
10:00 AM - 10:00 PM CT
Where: Norris University Center, Dittmar Gallery, 1999 Campus Drive, Evanston, IL 60208 map it
Cost: Free
Contact:
Debra Blade
(847) 491-2348
Group: Dittmar Memorial Gallery
Category: Fine Arts
Description:
In Paula Henderson’s Social Regard, one branch of these works is concerned with gender specific social constructs shaped by the ubiquitous commercial and cultural representations of women internalized in the development of our sense of worth.
Dissimilarly, Paula’s regard is echoed in the second series in this exhibition, Groundwork(s), wherein her interest in abstraction is in its post-modern possibilities. In contrast to the self-contained formalism of modernist abstraction, she focuses on prosaic, schematic patterns of visual appeal, that operate simultaneously as social signifiers.
When:
Monday, January 28, 2019
10:00 AM - 10:00 PM CT
Where: Norris University Center, Dittmar Gallery, 1999 Campus Drive, Evanston, IL 60208 map it
Cost: Free
Contact:
Debra Blade
(847) 491-2348
Group: Dittmar Memorial Gallery
Category: Fine Arts
Description:
In Paula Henderson’s Social Regard, one branch of these works is concerned with gender specific social constructs shaped by the ubiquitous commercial and cultural representations of women internalized in the development of our sense of worth.
Dissimilarly, Paula’s regard is echoed in the second series in this exhibition, Groundwork(s), wherein her interest in abstraction is in its post-modern possibilities. In contrast to the self-contained formalism of modernist abstraction, she focuses on prosaic, schematic patterns of visual appeal, that operate simultaneously as social signifiers.
When:
Tuesday, January 29, 2019
10:00 AM - 10:00 PM CT
Where: Norris University Center, Dittmar Gallery, 1999 Campus Drive, Evanston, IL 60208 map it
Cost: Free
Contact:
Debra Blade
(847) 491-2348
Group: Dittmar Memorial Gallery
Category: Fine Arts
Description:
In Paula Henderson’s Social Regard, one branch of these works is concerned with gender specific social constructs shaped by the ubiquitous commercial and cultural representations of women internalized in the development of our sense of worth.
Dissimilarly, Paula’s regard is echoed in the second series in this exhibition, Groundwork(s), wherein her interest in abstraction is in its post-modern possibilities. In contrast to the self-contained formalism of modernist abstraction, she focuses on prosaic, schematic patterns of visual appeal, that operate simultaneously as social signifiers.
When:
Wednesday, January 30, 2019
10:00 AM - 10:00 PM CT
Where: Norris University Center, Dittmar Gallery, 1999 Campus Drive, Evanston, IL 60208 map it
Cost: Free
Contact:
Debra Blade
(847) 491-2348
Group: Dittmar Memorial Gallery
Category: Fine Arts
Description:
In Paula Henderson’s Social Regard, one branch of these works is concerned with gender specific social constructs shaped by the ubiquitous commercial and cultural representations of women internalized in the development of our sense of worth.
Dissimilarly, Paula’s regard is echoed in the second series in this exhibition, Groundwork(s), wherein her interest in abstraction is in its post-modern possibilities. In contrast to the self-contained formalism of modernist abstraction, she focuses on prosaic, schematic patterns of visual appeal, that operate simultaneously as social signifiers.