Description:

Bavarian rococo art and architecture has long received both attention and derision from art historians. It is incredibly sophisticated in design and seemingly totally out of sync with the broader narrative of European art: backward-looking, regionally influential, and exuberantly unrestrained in its abundant use of ornamentation. This lecture shall explore what we can do with this visually arresting art and suggest that it deserves a firmer place in art history.  

Biography:

Michael Yonan is Professor of Art History and Alan Templeton Endowed Chair in the History of European Art, 1600–1830, at the University of California, Davis. His areas of research are eighteenth-century European art, the decorative arts, material culture studies, and art historical historiography and methodology. He is the author of Empress Maria Theresa and the Politics of Habsburg Imperial Art (2011), Messerschmidt’s Character Heads: Maddening Sculpture and the Writing of Art History (2018), and with Stacey Sloboda is co-editor of Eighteenth-Century Art Worlds: Global and Local Geographies of Art (2019).  In 2022 he was visiting guest professor at the Institute for Culture and Aesthetics, Stockholm University, Sweden. He is currently writing a book on materiality in art history.